Touch+23+5

Interestingly, the new series Touch (from Heroes creator Tim Kring) screened their pilot on January 25, 2012. It happened to be the same day that Boing Boing, coincidentally, also decided to publish my essay, "23 + 5: Robert Anton Wilson Again."

As I wrote, "The 23s, 33s, and yes, 11s, heighten our awareness of the twilight language surrounding us."

Touch goes there too.


Touch is an American procedural and science fiction television series written and created by Tim Kring and starring Kiefer Sutherland. Fox officially picked up the series for a 13-episode season in September 2011. The series premiere is scheduled for Monday, March 19, 2012, Kiefer Sutherland's old 24 spot, with a preview on January 25, 2012.
Here are the characters, and their plot lines, thusfar:
Kiefer Sutherland as Martin Bohm – a former journalist and luggage handler whose wife was killed in the September 11 attacks.
David Mazouz as Jacob "Jake" Bohm – a mute boy who is obsessed with numbers and can predict future events. Mazouz will also serve as the narrator of the series.
Danny Glover as Professor Arthur DeWitt – an expert on children who possess special gifts when it comes to numbers.
Gugu Mbatha-Raw as Clea Hopkins – a social worker who is sent to do an evaluation of the Bohms’ living situation.
Roxana Brusso as Sheri – a former biker and the director of the facility that Jake attends.
Karen David as Kayla Graham – a woman who works at a call center and whose dream is to become a singer.

Martin Bohm (Kiefer Sutherland), is a widower and single father who is haunted by an inability to connect to his emotionally challenged 11-year-old son Jake (David Mazouz). But when Martin discovers that Jake can predict events before they happen, everything changes.


Will it be worth watching to see how the notion that "connecting the dots" can have favorable outcomes? The challenge is, can a form of narrative visual fiction about numbers and the twilight language be created for television, similar to the movies Knowing and The Number 23, without episodes ending in constant disasters? That is, something with a bit more humanity beyond Numb3rs.


"What Touch is trying to sell viewers, in the words of Kring, is 'social benefit storytelling.' Now, that’s different. What he means is that Touch will mostly (but not always) be infused with hope — that the interconnectivity of people in the universe can be used for good, that it can produce positive results (as the pilot clearly proves through a series of international, interconnected storylines set off by Jake’s numbers)," wrote Tim Goodman in The Hollywood Reporter.

Coincidence 27

Late in November 2008, Showtime TV began screening the recent movie, Chapter 27. I suppose it is being shown now because its broadcast is tied to the anniversary of the assassination of John Lennon on December 8th. Timing is everything.

The movie has many intriguing moments.

First some background. Chapter 27 is an independent film depicting the murder of John Lennon by Mark David Chapman, starring Jared Leto and Lindsay Lohan. It was written and directed by J. P. Schaefer. Although it premiered at the Sundance Film Festival in January 2007, it did not make it to a release in theaters in the USA until March 2008. It came and went quickly, as they say, because it was a box office failure. It retains its "made for television" docudrama feel, and so, perhaps, it is more fitting I saw it on cable.

The film's title refers to Mark David Chapman's alleged obsession with J.D. Salinger's novel The Catcher in the Rye. The title implies that Chapman's killing of Lennon was a continuation of the book, which only has 26 chapters, and which Chapman was carrying (as his "statement") when he shot Lennon. Chapman appears to have attempted to model (copycat) his life after the novel's anti-hero Holden Caulfield.

According to the December 2007 issue of the British music magazine Mojo and the Spanish language newsweekly Proceso, the film's title was further inspired by Chapter 27 of Robert Rosen's book Nowhere Man: The Final Days of John Lennon. Rosen's book examines the numerological meaning of 27, “the triple 9,” a number of profound importance to John Lennon. Lennon was deeply interested in numerology, particularly via Cheiro’s Book of Numbers, and by the number nine and all its multiples.

Since the movie focussed just on the three days that Mark David Chapman spent in New York City, leading up to Lennon's murder, many significant items in Chapman's life were left out of the film. These included

1) that when young, Chapman fantasized about having God-like power over a group of imaginary "Little People";

2) he worked for the YMCA;

3) he visited Lebanon;

4) he once met and shook hands with President Gerald Ford;

5) he worked in Georgia as a security guard;

6) he traveled extensively, visiting such places as Tokyo, Seoul, Hong Kong, Singapore, Bangkok, Delhi, Israel, Geneva, London, Paris, and Dublin;

7) Chapman got a job as a security guard in Hawaii; and finally,

8) while in Hawaii, he told his "Little People" he intended to go to New York and kill John Lennon and they begged him not to, saying "Please, think of your wife. Please, Mr. President. Think of your mother. Think of yourself." Chapman says he told them his mind was made up, and that their reaction was silence. (Was Chapman's "Little People" the menehune?)



Also, we are shown throughout the movie that Chapman was obsessed by The Wizard of Oz, but not that he thought of himself as "Dorothy Gale."

In Chapter 27, I find the key focal point of the film is an involved sequence about coincidences, shortly after Chapman is made aware that Lennon's new album is called Double Fantasy. (See Todd Campbell's new blog posting on "Double Deception.")



In this scene, Chapman is seen making the links that included,

1) the Dakota Building, where Lennon resided, was the site where the movie Rosemary's Baby was filmed;

2) that Roman Polanski was the screenwriter and director of Rosemary's Baby;

3) that it was Polanski's pregnant wife, Sharon Tate, who was murdered by Charles Manson and his Family;



4) that the killings were based on Manson's notion of "Helter Skelter," and

5) that Manson based his scenario on John Lennon's song, Helter Skelter.

Did any of this happen? Or is it movie fiction?

Or, perhaps, is this film placing into popular culture the overt dots that can be connected in what happened at the Dakota on December 8, 1980?

Forthcoming showings of Chapter 27 will occur on

Showtime Next, November 28, 2008, at 9:40 AM ET/PT
Showtime Next, November 28, 2008, at 6:30 PM ET/PT
The Movie Channel, December 7, 2008, at 8:00 PM ET/PT
TMC Xtra, December 14, 2008, at 11:15 AM ET/PT