Showing posts with label President Abraham Lincoln. Show all posts
Showing posts with label President Abraham Lincoln. Show all posts

Thursday, June 25, 2020

The Anarchy of Toppling Lincoln, Abolitionists, Black, and Jesus Statues


Will President Lincoln and Mr. Alexander Be Toppled on June 25, 2020?

On June 23, 2020, DC delegate Eleanor Norton announced plans to introduce legislation to remove the memorial. That same day, protesters on site vowed to dismantle the statue on Thursday, June 25, 2020, at 7:00 p.m. local time.

The call is now out to a crowd to show up at 7:00 p.m., in Washington D.C., to take down the Emancipation Monument. The statue shows President Abraham Lincoln and a soon-to-be freed slave. There is a claim that the motive to tear this statue down is because it shows a white man subjugating a black man. But the reality is different.

President Trump has said he will "send in the troops" to protect the statue. Stay tuned.

The Emancipation Memorial, also known as the Freedman's Memorial or the Emancipation Group, and sometimes referred to as the "Lincoln Memorial" before the more prominent so-named memorial was dedicated in 1922, is a monument in Lincoln Park in the Capitol Hill neighborhood of Washington, D.C.

Designed and sculpted by Thomas Ball and erected in 1876, the monument depicts Abraham Lincoln holding a copy of his Emancipation Proclamation freeing a male African American slave modeled on Archer Alexander. The ex-slave is depicted on one knee, with one fist clenched, shirtless and shackled at the president's feet.



Archer Alexander (c. 1810 or 1815 – December 8, 1880) was a former slave who served as the model for the emancipated slave in the Emancipation Memorial (1876) located in Lincoln Park in Washington, D.C. He was the subject of an 1885 biography, The Story of Archer Alexander, written by William Greenleaf Eliot.

In 1869, the author Eliot was working with a group to build a statue of Lincoln. Thomas Ball had an acceptable model made, but Eliot's group wanted to have a real freedman pose for it. Eliot gave Ball a photo of Alexander, and he was chosen as the model.

In 1876, the statue was unveiled, with a number of notable people in attendance, including President Ulysses S. Grant, members of his cabinet, Supreme Court justices, other government figures, and Frederick Douglass, another former slave. However, neither Alexander nor Eliot was present.

Confederate Statues Reflect The Defeated

Edward Luce states it simply, on June 25, 2020, in Financial Times' article "Confederate Ghosts Still Haunt America": 
More than a century and a half after the south’s defeat, a Yankee president is sticking up for defeated Confederates. Those wishing to tear down their statues “hate our history, they hate our values and they hate everything we prize as Americans”, Mr Trump said this week. Not since Woodrow Wilson has a US president been quite so praiseworthy of America’s defeated enemy. The fact that Mr Trump can do so this boldly is a measure of the US civil war’s unfinished business.



The point has been made often during the George Floyd protests that have brought down many Confederate statues across America. When Germany was defeated in World War II, symbols of Adolph Hitler were torn down without any soul-searching. When Iraq's Saddam Hussein was defeated in the US invasion, the statue of Hussein was ceremonially toppled. 

Yet in the USA, the symbols of the Confederacy are found throughout the country. Only in recent weeks, not in 1865, have the flags, names, and statues been removed in great numbers - or considered for removal. 

As Luce concluded:
This month [President Trump] rejected calls to rename military bases that commemorate civil war enemies, such as Fort Hood, Fort Bragg and Fort Benning. All 10 such bases are in former slave-owning states.
Mr Trump’s dismissal of a proposal backed by US military figures gives even optimists pause. The fact that the US still honours men who fought against the stars and stripes in a war that killed more Americans than in the two world wars combined is a reminder of what is at stake. Yet it works both ways. By making the stakes so explicit, Mr Trump is unwittingly offering America a once-in-a-generation chance to end its myopia on the Confederacy. “We de-Nazified Germany,” said Ms Anderson. “We never de-Confederalised the south.” 
Anarchy on the Horizon

What is cautionary and troubling is the over-reaction of the crowd, and the mindlessness zealous wave of statue toppling that seems unconnected to the people symbolized in the statues. The forthcoming confrontation over the Lincoln-Alexander statue in Lincoln Park appears a prime example.

Overturning statues for the stake of the power to be able to topple memorials is overtaking the demonstrations.

I started to notice this during the Albert Pike toppling, which occurred on Juneteenth. While, yes, Pike was a failed and fired Confederate general, the Lafayette Park statue and his "fame" was about his central role as the head of Scottish Rite Freemasonry. It seems the first of the "gray zone" statues.



Shomari Stone reporting for Channel4NBC stated on the video of the toppling the Pike statue that it was being done by an organized group different that the peaceful assembly he had witnessed earlier in the evening. He felt it was a planned removal of the Pike statue.



The defacing on June 22, 2020, of Lafayette Square's President Andrew Jackson statue seems similar. More symbolic than thoughtful. In office from 1829 to 1837, Jackson owned more than 500 slaves during his lifetime and was a key figure in the forced relocation of nearly 100,000 Native Americans.

Other examples are cropping up:

Several monuments depicting US president Thomas Jefferson (1801-1809), have also been vandalized. He drew up the US Declaration of Independence but owned more than 600 slaves.

The bronze sculpture of Theodore Roosevelt, which has been at the entrance of the American Museum of Natural History (AMNH) for 80 years, depicts the former leader on horseback towering over a black man and a Native American man -- who are both on foot.

In Prague, a statue to Britain’s World War II leader Winston Churchill was covered in graffiti daubed with the words "Black Lives Matter" in solidarity with the anti-racist movement in the United States.






On June 23, 2020, demonstrators in Madison, Wisconsin toppled two statues. They tore down the "Forward" statue and dragged it away from its base at the steps of the Wisconsin State Capitol. The bronze allegorical statue, which is more than 100 years old, depicts a female figure standing on the prow of a boat, with her right hand stretched out while her left clasps the American flag. A short time later, the same group pulled down a statue of Col. Hans Christian Heg from the Capitol grounds and threw it into a nearby lake, according to WKOW. Heg was a Norwegian immigrant and abolitionist who served in the Union Army during the American Civil War. He led the predominately-Scandinavian 15th Wisconsin Volunteer Infantry Regiment into battle against the Confederate Army until his death at Chickamauga in 1863.


On June 14, 2020, in Whittier, California, a statue of John Greenleaf Whittier, the poet, abolitionist and Quaker the city was named after, was vandalized over the weekend. The still-unidentified vandal wrote “BLM” as well as an ”(expletive) Slave Owners” on the seated statue which is located at Central Park, 6532 Friends Ave. The suspect or suspects used different colors and spray painted the statue’s face, chest, bow tie, book and chair.

Mayor Joe Vinatieri said “He stood against slavery and racism...Many are upset about this including me because the city of Whittier is his namesake.”

“John Greenleaf Whittier did not enslave people, and indeed, was a leading anti-slavery activist in his time, in addition to being a renowned poet,” Celia Caust-Ellenbogen, archivist at the Friends Historical Library of Swarthmore College, wrote the Whittier Daily News.

Whittier was a delegate to the first meeting of the American Anti-Slavery Convention, edited anti-slavery newspapers, helped to establish the Liberty Party, wrote numerous poems supporting the abolitionist cause as well as an 1833 tract in favor of immediate and unconditional emancipation of enslaved people, according to Caust-Ellenbogen.




Some time before June 10, 2020, protesters have defaced a statue of Philadelphia abolitionist Matthias Baldwin, dousing it with paint and spray-painting the word “colonizer” on the pedestal. The statue stands outside Philadelphia City Hall.

Born in 1795, Baldwin moved to Philadelphia from New Jersey at the age of 16 and rose from an apprenticeship at a local jeweler to establish a successful business manufacturing train locomotives. Baldwin argued for the right of Blacks to vote in Pennsylvania during the state’s 1837 Constitutional Convention, and helped establish a school for Black children where he paid teachers’ salaries for years.

Protesters also defaced Philadelphia’s Civil War Soldiers and Sailors monument with graffiti reading “BLM.” That monument’s inscription reads, “All who have labored today in behalf of the Union have wrought for the best interests of the country and the world not only for the present but for all future ages.”

“The irony of vandalizing a monument to those who died to end slavery is lost on the morons who don’t know their history,” Joe Walsh, a member of the Friends of Matthias Baldwin Park said.

54th Massachusetts Regiment Memorial Vandalized






A monument recognizing the first all-volunteer black regiment of the Union Army during the Civil War was defaced in Boston during May 31, 2020 protests, with BLM and other tags.

"A thousand men signed up just after President Lincoln signed the Emancipation Proclamation, just think about that," said Liz Vizza, executive director of Friends of the Public Garden. "These are men who, if they were captured in the south, would be enslaved or murdered. But this cause was so important to them, they signed up to go fight for their freedom."

The Shaw Memorial captures the likenesses of the first African American volunteer infantry unit – the 54th Massachusetts Regiment – that fought after Abraham Lincoln signed the Emancipation Proclamation. Their colonel, Robert Gould Shaw, advocated for the men to join the war because they desperately wanted to fight for freedom. If the soldiers had been captured in battle they could have been enslaved or killed. Their heroic story was recounted in the 1989 Hollywood film Glory.

The regiment gained widespread acclaim on July 18, 1863, when it spearheaded an assault on Fort Wagner, a key position overlooking the water approach to Charleston Harbor. The 54th Massachusetts numbered 600 men at the time of the assault. Of these, 270 were killed, wounded, or captured during the engagement. Col. Shaw was killed, along with 29 of his men; 24 more later died of wounds, 15 were captured, 52 were missing in action and never accounted for, and 149 were wounded. These casualties represented the highest in the history of the regiment during a single engagement.

One of the soldiers, Sgt. William Harvey Carney carried the American flag throughout the battle, never dropping it despite being shot 7 times. Carney was the first black American to win the Congressional Medal of Honor for action.

The purposes of the demonstrations have derailed if the memorials of Black Union soldiers, abolitionists, and Lincoln are being vandalized and toppled.

And what of the shout out to bring down...

Jesus Statues




On June 24, 2020, Snopes.com investigated the claim that the statues of Jesus were a target of toppling. They discovered that "racial justice activist Shaun King" had tweeted about this, and thus it was a "Correct Attribution."






President Donald Trump meets with Polish President Andrzej Duda in the Oval Office of the White House, Wednesday, June 24, in Washington. He is saying, "Now they are looking at Jesus Christ, they are looking at George Washington, Thomas Jefferson ... Not going to happen, not going to happen.”

Stay tuned...




Saturday, June 13, 2020

Trump and Lincoln




This is what is called a political cartoon, a type of editorial cartoon, which is a graphic with caricatures of public figures, expressing the artist's opinion. They first appeared in 1734. Today they are a prominent form of editorializing.


The cartoons frequently speak more truth than the individuals in the panels.


J.D. Crowe on alabama.com wrote: "This is an opinion cartoon."

Then he captured why it was drawn. And remember, this was before the explosion of George Floyd demonstrations across the country.

On May 3, 2020, Trump held a "Fox News virtual town hall" in front of the Abraham Lincoln Memorial, with no one there.

Crowe said
Trump was using the power and dignity of the most lauded president in history for ... something. The word parasite came to mind as I watched Trump, dwarfed by Lincoln, talking with two Fox News commentators. They invaded the sanctity of arguably the most revered president in history - for a political campaign, yes. But for what reason, exactly?

“If it seems odd to stage a town hall with no in-person audience at the Lincoln Memorial, a site for huge rallies and events in more normal times, you’re missing the point: President Trump’s plan for Sunday night is packed with strategic signaling,” Axios reports.

“We wanted a powerful image of American strength and the idea of what reopening looks like,” a White House aide told Axios.

Trump, The Great Divider, often compares himself to Lincoln, The Great Uniter. He claims contending with the coronavirus pandemic makes him a “war time president", just like Lincoln as he kept the country together through the Civil War.
And then it came.

“I am greeted with a hostile press the likes of which no president has ever seen,” Trump claimed, in response to a question about why the president often bullies the press. What can’t he just answer their questions without all the hysterics?

“The closest would be that gentleman right up there,” he said while pointing at Lincoln’s statue. “They always said nobody got treated worse than Lincoln. I believe I am treated worse.”

Yep. With Lincoln as the backdrop, 45 whined that he is treated worse than the 16th president - the one who was assassinated.

To Trump, having to answer reporters’ questions must be a fate worse than death.

On June 12, 2020, as Deadline headlined: "Donald Trump, In Fox News Interview, Has Puzzling Exchange Over Abraham Lincoln’s Legacy: 'He Did Good, Although It’s Always Questionable.'"

Asked about what Trump had done for Black people, he told Harris Faulkner:

I think I’ve done more for the black community than any other president. And let’s take a pass on Abraham Lincoln, because he did good, although it’s always questionable, you know, in other words, the end result.

Harris responded, “Well, we are free, Mr. President. He did pretty well.”

“We are free,” Trump answered. “Well, you understand what I mean? You know, I got to take a pass on a Honest Abe, as we call it.”

Then Faulkner replied, “But you say you say you’ve done more than anybody.”

Trump went on to talk about signing criminal justice reform legislation in late 2018.

“Criminal justice reform. Nobody else could. I’ve done it. I did it,” he said. “I didn’t get a lot of notoriety. And the fact the people I did it for then go on television and thank everybody but me and they needed me to get it done. And I got it done.”

As the Twitter commentator TJ noted, 
Trump's wavering re Lincoln [above] actually makes perfect sense (in his world). He's saying the end result (freeing the slaves) was good, but by also saying what Lincoln did was "always questionable," he's pandering to the Confederacy folks in his base, implying without actually saying anything that Lincoln could have done something different to get that result. He's trying to say "slavery bad" but not "Confederacy bad," despite the fact that the point of the Confederacy was ensuring states' rights to have slavery.

 



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As we have moved through the last few months, Trump has used Lincoln often and editorial cartoonists are using this raw material in their cartoons. Some examples are below.

Remember, these are "opinion cartoons."










Monday, April 15, 2019

Ford's Theatre: An Amazing Replica for 2019



A Historic Building

On April 14, 1865, U.S. President Abraham Lincoln, 56, was shot in Ford's Theatre, Washington, D.C., by the actor John Wilkes Booth. The same evening, U.S. Secretary of State William H. Seward and his family were attacked at home by Lewis Powell. 

Lincoln died the next day at 7:22 a.m. in the Petersen House (10th Street, NW), across the street. The Petersen House was purchased by the U.S. government in 1896 as the "House Where Lincoln Died," being the federal government's first purchase of a historic home. The rooms of this house are furnished as they were on the day Lincoln passed away.

Ford's Theatre is a natural location to have memorialized as a replica building. The site was originally a house of worship, constructed in 1833 as the second meeting house of the First Baptist Church of Washington, with Obadiah Bruen Brown as the pastor. In 1861, after the congregation moved to a newly built structure, John T. Ford bought the former church and renovated it into a theater. He first called it Ford's Athenaeum. It was destroyed by fire in 1862, and was rebuilt.

On June 9, 1893, the front part of the building collapsed, killing 22 clerks and injuring another 68. This led some people to believe that the former church turned theater and storeroom was cursed. The building was repaired and used as a government warehouse until 1911.

It languished unused until 1918. In 1928, the building was turned over from the War Department Office to the Office of Public Buildings and Parks of the National Capital. A Lincoln museum opened on the first floor of the theater building on February 12, 1932—Lincoln's 123rd birthday. In 1933, the building was transferred to the National Park Service. 

On January 21, 1968, Vice President Hubert Humphrey and 500 others dedicated the restored theater. The theater reopened on January 30, 1968, with a gala performance. The presidential box is never occupied.

The theater was again renovated during the 2000s. It has a current seating capacity of 665. The re-opening ceremony was on February 11, 2009, which commemorated Lincoln's 200th birthday.

It is intriguing to observe that with the seating at 665, with the addition of John Wilkes Booth to the picture (not seated), the capacity is at 666.

A Unique Replica

On the occasion of the 154th anniversary of the assassination, Mike Merwine of InFocusTech (replicabuildings) has finally replicated in metal the site of Lincoln's political murder. As Merwine noted, "Events and places sometimes create legends that span centuries."



Replicas of these events are an important way to recall this incident and the links to it. For readers of this blog, you are well-aware of the special relationship that special names and incidents have in the past, present, and future with specific locations. Those linked to "Lincoln" certainly fall into this category.

Ford's Theatre As A Replica

Copies of Ford's Theatre come in a few rare selections, but the Merwine model is unique, for being detailed and solid metal. Order here by clicking on Ford's Theatre.

Paper Models, Inc. has a model kit, oriented to schools, of Ford's Theatre. It is made from paper.


In terms of high-end design replicas, several people know about and collect Constantin Boym's and Laurene Leon Boym's Ford's Theater (sic, the actual spelling is "Ford's Theatre"), from the series Buildings of Disaster, 1998-2008. 

Buildings from the series, originally priced as low as $110, today are valued from $200-$600. The stylized artifacts are a "design object" made from a cast resin-type material with bonded nickel in the mixture.





InFocusTech's 2019 example is detailed to reflect an authentic study of Ford's Theatre, from all sides. For a reasonable price: $85. (I would predict this piece will leap in value within a year or two. In 2065, this will be a rare collectible on the 200th anniversary of the assassination.)

The specifics are:

511 Tenth St, NW, Washington, DC

Architect Charles Lessig - restoration

Date Completed 1863 - Originally a church from 1833-59

Height in Feet 78

Floors 3

Replica Height 2 inches

Scale1" = 50'

Finish Shown Antique Pewter

It may be ordered directly from here.


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This critique of the replica of Ford's Theatre is done without any fiscal remuneration to the reviewer. I am a member of the Souvenir Building Collectors Society, and encourage interested parties to join the SBCS organization. ~ Loren

Tuesday, October 16, 2018

Twilight Language in Andy Thomas' Paintings

There is twilight language in the White House, and I'm not sure President Donald Trump even realized it.

On Sunday, October 14, 2018, President Trump touched on a wide array of topics during his interview with 60 Minutes hosted by CBS reporter Lesley Stahl. Besides all the subjects, what got some attention was the painting on the wall of the White House room where the interview took place.

Donald Trump has placed an Andy Thomas painting of past Republican presidents hanging out with Donald Trump in the Trump White House. As 60 Minutes documented, Thomas’ The Republican Club was there, in the background of the dining room.


Andy Thomas' The Republican Club, with President Trump.


Grand Ol' Gang.


Callin' the Blue.

Thomas' previous Republican paintings.


True Blues - Democratic Presidents


Callin' The Red


Thomas' The Democratic Club (directly above) and other paintings are populated by Democratic Presidents.

But someone else is coming to join them.



Who is that?



Some feel that Andy Thomas painted Senator Kamala Harris in the background (at least for the Democrats).





There’s a shadowy female figure approaching the table, just as there is in his most recent painting of Democratic presidents playing poker, “The Democratic Club.” Thomas explained the symbolism on his website:
“That will be the first Republican female president and the first Democratic female president. … As I was doing the painting, I was thinking that these guys are kind of intimidating in a way. That’s the kind of woman that will be our first woman president; she’ll walk right up to that table."
Kudos to Thomas for sneaking a feminist message into Donald Trump’s Presidential Dining Room. In the past, Frederick Judd Waugh’s Rough Sea at Bailey’s Island, Maine, hung on that wall. (Source.)

Before that, Alvan Fisher’s Indian Guides hung there, above both Obama and Bush:



The classy version has the following as a precursor: Porcelain of Capodimonte: Game Poker. The creation of Bari. Master Volta.



Of course, this entire discussion has recalled other paintings of poker players, as follows.


Dogs Playing Poker, by Cassius Marcellus Coolidge, refers collectively to an 1894 painting, a 1903 series of sixteen oil paintings commissioned by Brown & Bigelow to advertise cigars, and a 1910 painting. All eighteen paintings in the overall series feature anthropomorphized dogs, but the eleven in which dogs are seated around a card table have become well known in the United States as examples of kitsch art in home decoration.

Critic Annette Ferrara has described Dogs Playing Poker as "indelibly burned into ... the American collective-schlock subconscious ... through incessant reproduction on all manner of pop ephemera."

The first painting, Coolidge's 1894 Poker Game (above), realized $658,000 at a Sotheby's New York sale on November 18, 2015.

Poker or pool with dogs paintings are linked to the Andy Thomas paintings of politicians playing poker or pool. 

The female approaching motif shows that soon this will change the whole male club atmosphere.






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Postscript

I mentioned on Facebook that it seems to not be a coincidence that Andy Thomas shows Abraham Lincoln seated, in two of his three paintings, from the back, from the position known during Lincoln's assassination. This position matches what we find in several paintings of the Lincoln murder at Ford's Theater.



From John Wilkes "Booth's point of view," notes artist Jeffrey Vallance. Vallance also posted the following composite image using Thomas' Lincoln view.


The Big Betrayal by Jack T. Chick. This is a 64-page graphic comic book expanding on the theory that the Jesuits were behind the assassination of Abraham Lincoln.


Vallance posted the cover of the Chick book next to the image of Lincoln from the Andy Thomas painting. Makes sense.

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Andy Thomas is a well-known artist of Western scenes.


American Storytellers shows Mark Twain, Will Rogers, Ronald Reagan, Charles Russell, Frederic Remington, Norman Rockwell, Ben Franklin, Ernest Hemingway, Buffalo Bill, and Teddy Roosevelt.


Fight at the Watering Hole.


Wild Bill's Last Deal.


Cowboy Baseball.


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Let the memes begin...

See the hidden figure added by "USMC Liberal"?



A comment by the progressive Lincoln to what Carlos Rodriguez sees as the others, all repressives.










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